Ayn Rand’s adult-onset adolescence
Rand is something of a cultural phenomenon—the author of potboilers who became an ethical and political philosopher, a libertarian heroine. But Rand’s distinctive mix of expressive egotism, free love and free-market metallurgy does not hold up very well on the screen. The emotional center of the movie is the success of high-speed rail—oddly similar to a proposal in Barack Obama’s last State of the Union address. All of the characters are ideological puppets. Visionary, comely capitalists are assaulted by sniveling government planners, smirking lobbyists, nagging wives, rented scientists and cynical humanitarians. When characters begin disappearing—on strike against the servility and inferiority of the masses—one does not question their wisdom in leaving the movie.
None of the characters express a hint of sympathetic human emotion—which is precisely the point. Rand’s novels are vehicles for a system of thought known as Objectivism. Rand developed this philosophy at the length of Tolstoy, with the intellectual pretensions of Hegel, but it can be summarized on a napkin. Reason is everything. Religion is a fraud. Selfishness is a virtue. Altruism is a crime against human excellence. Self-sacrifice is weakness. Weakness is contemptible.
“The Objectivist ethics, in essence,” said Rand, “hold that man exists for his own sake, that the pursuit of his own happiness is his highest moral purpose, that he must not sacrifice himself to others, nor sacrifice others to himself.”
If Objectivism seems familiar, it is because most people know it under another name: adolescence. Many of us experienced a few unfortunate years of invincible self-involvement, testing moral boundaries and prone to stormy egotism and hero worship. Usually one grows out of it, eventually discovering that the quality of our lives is tied to the benefit of others. Rand’s achievement was to turn a phase into a philosophy, as attractive as an outbreak of acne.
The appeal of Ayn Rand to conservatives is both considerable and inexplicable. Modern conservatism was largely defined by Ronald Reagan’s faith in the people instead of elites. Rand regarded the people as “looters” and “parasites.” She was a strenuous advocate for class warfare, except that she took the side of a mythical class of capitalist supermen. Rand, in fact, pronounced herself “profoundly opposed” to Reagan’s presidential candidacy because he did not meet her exacting ideological standards.
Rand cherished a particular disdain for Christianity. The cross, she said, is “the symbol of the sacrifice of the ideal to the nonideal. … It is in the name of that symbol that men are asked to sacrifice themselves for their inferiors. That is precisely how the symbolism is used. That is torture.”
Yet some conservatives marked Holy Week by attending and embracing “Atlas Shrugged.” Reaction to Rand draws a line in political theory. Some believe with Rand that all government is coercion and theft—the tearing down of the strong for the benefit of the undeserving. Others believe that government has a limited but noble role in helping the most vulnerable in society—not motivated by egalitarianism, which is destructive, but by compassion, which is human. And some root this duty in God’s particular concern for the vulnerable and undeserving, which eventually includes us all. This is the message of Easter, and it is inconsistent with the gospel of Rand.
Many libertarians trace their inspiration to Rand’s novels, while sometimes distancing themselves from Objectivism. But both libertarians and Objectivists are moved by the mania of a single idea—a freedom indistinguishable from selfishness. This unbalanced emphasis on one element of political theory—at the expense of other public goals such as justice and equal opportunity—is the evidence of a rigid ideology. Socialists take a similar path, embracing equality as an absolute value. Both ideologies have led good people into supporting policies with serious human costs.
Conservatives have been generally suspicious of all ideologies, preferring long practice and moral tradition to utopian schemes of left or right. And Rand is nothing if not utopian. In “Atlas Shrugged,” she refers to her libertarian valley of the blessed as Atlantis.
It is an attractive place, which does not exist, and those who seek it drown.
Michael Gerson is a columnist for the Washington Post Writers Group; email email@example.com.
Last updated: 4:55 pm Thursday, December 13, 2012