Music reviews for March 20, 2014
George Michael, “Symphonica”
Forget about the health issues and personal problems—George Michael sounds just fine, super in fact, on his first new album in seven years, recorded live during his 2011-2012 “Symphonica” tour in Europe.
Time has not taken a toll on Michael’s voice, which if anything sounds more supple and emotive than during his earlier pop incarnations. Gone is the swagger and blatant “come and get it” sexuality, replaced by a more subtle singer happy to pay homage to Nina Simone, Marvin Gaye and other giants as the album unfolds.
He strikes a wistful tone, lamenting lost youth, in “John and Elvis Are Dead,” and captures the yearning and loss at the heart of the old standard “Wild Is the Wind.” There’s a jazzy feel, with some swing, to his cover of the timeless “My Baby Just Cares for Me,” and he captures perfectly the pathos of the American depression-era classic “Brother Can You Spare a Dime.”
Michael avoids a number of traps on this album, which was produced by the late Phil Ramone, who also teamed with the singer in 1999 on “Songs From the Last Century.” Michael deserves credit for moving deftly into big band and orchestral territory without in any way trying to imitate the master, Frank Sinatra, or taking on the vocal tics of the many other artists who have turned to American standards as a mid-career tonic. The style and phrasings are all his own, confident and understated, and the sparse arrangements allow ample room for his hypnotic voice to soar. By instinct, he shies way from self-dramatizing vocal pyrotechnics, letting the melodies and lyrics carry the day.
There is a simple clarity to that approach, but it also means the new release can seem a bit slow in places. The beat is too subdued, the tempo too languid and the production too lush at times. The collection could use a showstopper, a hint of R&B, a touch of cruelty or anger to set off its mellow tone. It would benefit from more of a climax toward the end.
But the quality of the singing puts Michael head and shoulders ahead of the other middle-aged and older English rockers looking to the Great American Songbook for inspiration. Michael sounds effortless and free, as if he could do this for decades to come.
—Gregory Katz, Associated Press
Jo Dee Messina, “Me”
Jo Dee Messina opens her new album, “Me,” with a song title that declares she’s “Not Dead Yet.” The veteran country singer proved just that when fans rallied behind her Kickstarter campaign, helping her raise more than $100,000 for the recording of this 12-song collection.
Messina’s declaration that she’s still alive and well comes across clearly on this playfully vibrant album. “Me” repeatedly speaks of second stages in life—and, by proxy, in careers, too. Messina, 43, continually addresses the value of experience in her songs, as well as in co-writing seven songs and in co-producing the album with Julian King.
The songs “Love On A Maybe” and “Breakin’ It Down” confront a partner about commitment, making it clear she needs more from him, and “A Woman’s Rant” wittily rips at the fast pace of modern-day life for a working mother. Similarly, “Peace Sign” uses clever humor to tell a lover to kiss off.
The album’s ballads slow things down—not just in tempo, but in quality. However, whenever the beat kicks in, so does Messina’s entertaining style. “Me” proves that fans are right to think she still has plenty to offer.
—Michael McCall, Associated Press